Photos /Videos on hashtag caroleeschneemann (2.9k)

125 13 Jan 21, 2018
Hahtag #caroleeschneemann:
65 1 Jan 22, 2018
Hahtag #caroleeschneemann:

, One Window Is Clear - Notes to Lou Andreas Salome (1965), oil paint, fabric, magnetic tape, canvas, paper, gloves and photographs on masonite board 🎨

26 0 Jan 21, 2018
Hahtag #caroleeschneemann: Spin, spin! It’s a pin wheel painting

Spin, spin! It’s a pin wheel painting by . , 1,

44 5 Jan 7, 2018
Hahtag #caroleeschneemann: Treating myself to tomato soup and feminist theory

Treating myself to tomato soup and feminist theory on a Sunday

323 11 Feb 25, 2016
Hahtag #caroleeschneemann:

will be attending Gala on March 1st! P.P.O.W Gallery will present rare, vintage performance photographs by the groundbreaking artist - Booth A21. Here: "Interior Scroll" (detail), 1975, gelatin silver print.

296 4 Apr 29, 2016
Hahtag #caroleeschneemann: Artists have a variety of methods to make

Artists have a variety of methods to make their mark. Every Friday we will share a photograph of an . Carolee Schneemann uses her body to examine the role of female sensuality in connection to the possibilities of political and personal liberation from predominantly oppressive social and aesthetic conventions. Using a rope attached to the ceiling of a train car, Schneemann "held a chalk in one hand extended, so that changes in weight, position, and movement were charted by the free motion of the hand on the perimeter of the walls and floor it touched.” This performance, which Schneemann called Tracking (1973), itself recalls the earlier works of , who, similarly suspended, paints with his feet on floor-based canvases, and who once wrestled mud as a public performance. Photo: Carolee Schneemann performing Tracking, 1973. ©2013 Artist Rights Society (ARS) New York. Photo: Peter Moore ©2013 Estate of Peter Moore/VAGA, NYC.

12 0 Nov 4, 2017
Hahtag #caroleeschneemann:
127 5 Oct 22, 2017
Hahtag #caroleeschneemann:

1957 =genius! A must see exhibition at 1

67 0 Jan 23, 2018
57 1 Jan 22, 2018

Carolee Schneeman: Up To and Including Her Limits, 1966 (detail) e 1 oftheday e contemporáneo

65 1 Jan 22, 2018

, One Window Is Clear - Notes to Lou Andreas Salome (1965), oil paint, fabric, magnetic tape, canvas, paper, gloves and photographs on masonite board 🎨

51 4 Jan 21, 2018

LES GARS! An afternoon well spent in Long island City 1

125 13 Jan 21, 2018
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11 2 Jan 21, 2018

completely insane, completely innocent

33 0 Jan 21, 2018

No it’s not a Rauschenberg...More discoveries at retrospective. 1,

26 0 Jan 21, 2018

Spin, spin! It’s a pin wheel painting by . , 1,

27 0 Jan 21, 2018

Rediscovering at 1. This painting was inspired by .

117 1 Jan 21, 2018
42 0 Jan 20, 2018
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174 4 Jan 20, 2018

MoMA PS1 presents the first comprehensive retrospective of , spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the 20th century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. “Carolee Schneemann: Kinetic Painting” begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. 📷:

12 0 Jan 20, 2018
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61 1 Jan 19, 2018

Channeling my inner artistic side✨ at the Museum of Modern Art (MoMA) PS1- one of the oldest and largest nonprofit contemporary art institutions in the United States located in NYC. Such an amazing experience and wonderful, powerful, & bold Exhibit by Carolee Schneemann. I learned so much & took some cool pictures as well! 🔥

30 1 Jan 19, 2018

“Sir Henry Francis Taylor,” 1961.

27 0 Jan 19, 2018
26 1 Jan 19, 2018

“Caroleee Schneemann’s: Kinetic Painting”

33 0 Jan 19, 2018

“Three Figures After Pontormo,” 1957 1

20 1 Jan 18, 2018

From the excellent Carolee Schneeman exhibition at MOMA PS1 1

31 0 Jan 18, 2018

Big news! We're excited to announce that our 2018 Hall of Fame Inductees are: Paul Beatty, novelist and poet (Fellow in Poetry '93); Phil Gilbert, Head of Design, IBM (Patron of the Arts); and visual artist Carolee Schneemann (Fellow in Performance Art/Emergent Forms '87). Tickets are on sale at for the Thursday, April 12, 2018 gala at (130 Bowery, New York, NY 10013). . 📷: New York Foundation for the Arts Hall of Fame Benefit 2017, Photo Credit: Carl Timpone/ .

61 1 Jan 17, 2018

On this week's PoP Highlights: "How did I manage to get to the great museum on the parkway, perched like a castle above the two rivers?"- Read her essay on hurbcarles at ist

83 1 Jan 17, 2018

The legendary, taboo-breaking artist Carolee Schneemann is best known for once pulling a scroll out of her vagina. Now, offers a full view of her sixty-year career in the exhibition “Kinetic Painting.” David Deitcher reviews. (Link in our bio)

830 16 Jan 17, 2018

We heard it was , but what about ? Between 1981 and 1986, took scores of pre-internet with her cat, Cluny, using only a hand-held 35mm camera in available light. Take a look at the entire series of 84 photographs on view now in her major retrospective ! 1

55 1 Jan 17, 2018

For the At The Museum fans - don't forget to check out the second half of the season which starts with Episode 05 "Open House." Take a look at MoMA PS1 and meet artists Carolee Schneemann, Naeem Mohaiemen, Alvaro Barrington, along with the stellar staff of PS1. This episode was cut by talented guest editor 1 ps1

43 1 Jan 16, 2018

“Maximus at Gloucester” by Carolee Schneemann seen at the artist’s first retrospective at MoMA PS1. Made with objects (including a lobstah trap) found on the beach at Cape Ann . . . . . 1

64 1 Jan 16, 2018
63 3 Jan 16, 2018

life art e er econtemporanea photo photography porn nerd lovers life oftheday ofinstagram travels #911memorial

31 0 Jan 16, 2018

5 - 26 February 2018: Close-Up Film Course: Expanded Cinema⠀ Karel Doing leads a four-week course exploring the history and concepts of expanded cinema from its inception in New York and London in the 60s, to its global impact and contemporary re-invention. At the cross-over between performative arts and film, expanded cinema emerged in the mid-60s and is now considered to have influenced many aspects of contemporary media installations and performances. American artist pioneers explored its means in regards to politics and collective participation as well as radical subjective experimentation. In Britain filmmakers used its structural and analytical means to criticise the canons of commercial cinema. After two decades of relentless creativity, expanded cinema briefly faded from the cultural landscape only to resurface in the nineties sub-cultural scene when artists began re-using analogue equipment that was quickly becoming redundant in the film industry. Today, expanded cinema practice is thriving, with many artists exploring its endless means of expression.⠀⠀

69 2 Jan 16, 2018
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45 0 Jan 15, 2018
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19 0 Jan 15, 2018

From exhibition at 1 This work “Noise Bodies 1965” incorporates found objects worn by the artist and in performance pieces. The artist certainly incorporates so much in her work: lots of ephemera, found objects, unusual materials not typically used to make art, lots of printed matter and loads of “stuff” (my word!). Amazing, difficult art—lots to take in, lots to think about. Curator organized by Congratulations to PS1 and the curatorial and installation team (and their registrars! OMG!!)

31 0 Jan 15, 2018

major retrospective at 1 This installation “More Wrong Things” is in a gallery with 22 tv monitors (single channel video). The artist ask viewers to consider how images of violence & human suffering circulate in the mass media. Museum visitors are bombarded with tough & disturbing images. What a complex exhibition to curate ( ) and organize ( ). Amazing, engaging & provocative show. How the hell did they achieve this? How in the world did Schneemann create this enormous body of work that is so intense, so deeply personal?

42 1 Jan 15, 2018

More gems from yesterday. Not sure about the last photo...

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